Showing posts with label 162MP. Show all posts
Showing posts with label 162MP. Show all posts

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom LensThe D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show. Accessories: ME-1 Stereo Microphone, CF-DC2 Semi-soft Case, EN-EL14 Rechargeable li-ion Battery, AN-DC3 Strap, UC-E6 USB Cable, BS-1 Accessory Shoe Cap, BF-1B Body Cap, DK-20 Rubber Eyecup, EG-CP14 Audio Video Cable, MH-24 Quick charger, ML-L3 Wireless Remote Control, MC-DC2 Remote Release, GP1-CL1 Camera Strap Clip for GP-1, GP-1 GPS Unit, GP1-CA90 Accessory Cable for GP-1, DK-20C + 2.0 Correction Eyepiece, DK-20C + 5.0 Correction Eyepiece,DK-20C + 3.0 Correction Eyepiece, DG-2 Eyepiece Magnifier, DK-5 Eyepiece Cap..../ Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens / nikon d200

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Customer Review :

outstanding "prothusiast" D-SLR, solid upgrade from my D5000 : Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens


The Nikon D5100 brings the high quality 16.2 megapixel sensor, great low-light performance, and full HD video capability with all the frame rate options from the popular pro-sumer D7000 to the enthusiast level model - and then includes a fully adjustable side-mounted rotating screen to boot. The D5100 should prove to be an excellent option for new dSLR users plus those experienced enthusiasts wishing to upgrade their D50, D60, or even their D3000 to gain additional megapixels, shooting and processing speed, video, and an improved rear LCD screen. The variety of features and functions offered on the various Nikon dSLR cameras might make it difficult to choose between them, but there are some important differences.

The new Nikon D5100 sits just above the D3100, a bit below the aging D90, and several steps below the fully-featured and highly customizable Nikon D7000. The D5100 boasts a 16 megapixel image sensor (just like the D7000), shoots 4 frames per second in continuous mode, has HD video capability at 24, 25, and 30 fps, and includes the fully rotating rear LCD screen improved in flexibility from the screen of the D5000.

Generally as the cameras increase in price and capability from the entry level model to the enthusiast pro-sumer model they gain more sophisticated autofocus and exposure metering systems, shoot faster (more frames per second) in continuous shooting mode, have more controls and buttons for changing settings on the camera body, and offer more menu and custom function options.

Sensor and Image Quality: The sensors of the D5100 and D7000 are greatly improved over the older D90 in a couple of ways. The D5100 and D7000 have 16.2 megapixel sensors, where the D90 has 12.3 megapixels. The relatively new D3100 has a 14.2 MP sensor. This increase in resolution allows for more intrusive editing of the files in Photoshop, the ability to crop a picture and still obtain an image with high enough resolution for printing or display, and allows for larger prints. In addition, the improved sensor results in better performance at high ISO settings and in low light, better dynamic range, tonal range, and color sensitivity. Have a look at the dxomark website to compare the sensors.

Exposure Metering: The D5100, while sharing a similar sensor to the D7000, does not have the same advanced metering system. It shares the less sophisticated 420 pixel RGB metering sensor of the D3100 and offers matrix metering, non-adjustable center-weighted, and spot metering modes. This system may be more than sufficient for many users, especially those not intending to adjust their exposure settings and dig into their menus in reaction to complex lighting situations. But if your shooting demands require more precise exposure metering and control over the size of the areas being metered, you need to consider the D7000 or D90. The 2016 pixel RGB metering sensor of the D7000 is also improved compared to the D90, and will result in more accurate metering performance of straightforward and complex lighting scenes and situations. Both these cameras offer matrix metering, center-weighted, and spot metering modes. With center-weighted metering on the D90, you can select the size of the center-weighted area to be a 6, 8, or 10mm center circle, and the D7000 adds a 13mm circle option.

Autofocus: The autofocus systems of the D3100, D5100, and D90 all have 11 autofocus (AF) points with the center one being a more accurate cross-type. These AF systems may be more than sufficient for most users, and they can successfully track moving objects in the frame such as athletes, performers, or animals. However, if you specialize in sports, action, wildlife, or bird photography, you are going to want to consider the much more sophisticated, accurate, and customizable AF system of the D7000. The D7000 boasts a significantly improved AF system of 39 AF points with 9 of them being cross type. The AF system of the D7000 allows for you to use these points in various ways including automatic AF point selection, single point AF, and dynamic area AF using your choice of 9 points, 21 points, all points, or all points with 3D-tracking. It is important to note that the D5100 and D3100 do not have an autofocusing motor built into the body so you have to be sure to purchase lenses with built-in AF motors. For example, the Nikon "Nifty 50" 50mm f/1.8 will not autofocus with these cameras. The D7000 and D90 have the built-in motor.

Body, Construction and Size/ Weight: The D5100 is just slightly larger and a tiny bit heavier than the D3100, both weighing just over one pound. Both have plastic bodies and more limited buttons and controls that the higher end models. Many users should find its size and weight great for using and carrying around, though some prefer the ergonomics of a larger body. The D90 and D7000 appear very similar at first glance, but the plastic body of the D90 has been upgraded to the partially magnesium alloy body (top and rear) of the D7000. This adds slightly to the weight: 1.5 lbs for the D90 vs. 1.7 lbs for the D7000. The D7000 also has weather sealing at the memory card and battery doors, which the D5100 and D3100 do not. The higher end D7000 and D90 include not only the 3" rear LCD screen but also a top LCD panel for viewing and changing your settings. This is essential for photographers who are constantly changing their settings to deal with various shooting situations. For most users, including even those using the camera daily or in travel situations, the non-magnesium construction of the D5100 should be far more than good enough, strong enough, and durable enough.

ISO: As mentioned in the Sensor and Image Quality section above, the high ISO performance of the D7000 is greatly improved over the D90. The tests at dxomark.com tell this story, along with the fact that the native ISO range of the D7000 is 100-6400 expandable up to 25,600. The D5100 shares these specifications, and should offer similar results. The D3100 has a native ISO range of 100-3200 expandable to 12800, and the range of the D90 is 200-3200. This means that with the D7000 and D5100 you can use higher ISO settings when required, such as in low light situations, and not have as much difficulty with digital noise, particularly in the shadow areas of images.

Controls: As with construction, the buttons and controls vary with these cameras. The D3100 and D5100 offer more limited, basic controls on the exterior of the camera. However you can use the rear LCD screen to quickly change many settings, or else go into the menus. The D7000 offers an extensive array of controls on the camera body, allowing one to quickly change an large number of settings as they work, including focus mode and focus area settings, shooting mode, and exposure mode. The controls of the D7000 are similar to the D90 with some changes including the addition of the shooting mode ring under the mode dial (to change from single shot to high speed continuous to self timer, etc.), and the live-view switch with movie record button inside it. The D7000 also offers 2 customizable user settings (U1, U2) on the mode dial, and you can assign functions of your choice to buttons such as the Fn Button.

Menus and Custom Settings: These allow for greater control over customizing how the camera functions. The D5100 has less Menu and Custom Settings options than the D90 and the highly customizable D7000, and more than the D3100 (which offers no custom settings). These settings enable you to customize the operation, function, and controls to work how you want them to, including things like exposure increments, Live View options, tweaking how the autofocus system operates, setting more precise white balance settings, and customizing which button does what. There are ebooks such as my
Nikon D7000 Experience - The Photographer's Guide to Operation and Image Creation with the Nikon D7000 and Nikon D5100 Experience - The Still Photographer's Guide to Operation and Image Creation with the Nikon D5100 which walk you through all of the Menu settings and Custom Settings so that you can set up your camera to work best for how you photograph, and also begin to learn to master all the advanced features, settings, and controls of these powerful dSLR camera.

Wireless Flash: The D7000 includes the feature of advanced wireless lighting using the built in flash as a commander for off-camera Nikon Speedlights. However, the D5100 and D3100 do not have this capability. With the D7000, you can set up one or more Speedlights in remote mode, then trigger them wirelessly with the built in flash of the camera.

Viewfinder: The D5100 has a pentamirror viewfinder with approximately 95% coverage of the actual resulting image, the same as the D3100. The higher quality pentaprism viewfinder of the D90 gives 96% coverage of the actual resulting image, while the D7000 has an even larger, brighter pentaprism viewfinder with 100% coverage. Author's note: this review was written and posted on Amazon by dojoklo - please do not steal it, post it elsewhere, and claim it as your own writing. Thank you. While in-and-of-itself, a 95% viewfinder works just fine, when you compare it side-by-side with the large, clear view of the D7000, you can see and understand the advantages of a clearer view of your entire scene with a 100% view, pentaprism viewfinder.

Processor: The Nikon D5100 and D3100 use the fast Expeed 2 image processor just like the D7000. This allows for more video options including full 1080p HD at 24, 25, and 30 fps, overall faster processing of stills and video files, and the ability to maintain fast continuous speed shooting for numerous frames. The D90 has the older Nikon Expeed processor, which is also generally fast enough to handle its processing needs.

Continuous Shooting Speed: As you work your way up the Nikon dSLR line-up the cameras' continuous shooting speed and maximum shots at that rate increases. The D3100 shoots 3 frames per second (fps) in continuous shooting mode, the D5100 shoots 4 fps, and the D7000 shoots 6 fps for up to 100 shots. The D90 can shoot 4.5 fps up to 100 images. If you often capture action and really need the higher frame rate, such as for sports, action, or wildlife shooting, you are going to have to seriously consider the D7000 over the other cameras. Paired with its advanced autofocus system, this fast frame rate can sharply capture moving objects is all types of situations. A nice feature of the D7000 is that you can adjust the low speed continuous mode to shoot anywhere from 1 to 5 fps, using the custom settings.

Memory Card: The D5100, D3100, and D90 all use a single SD memory card. The D7000 accepts 2 SD cards, where the second card can be used in a variety of ways: overflow when the first card fills up, JPEG on one / RAW on the other, or mirrored backup of the first card. The second card can come in handy as well if one is shooting video files, and one card can be designated for stills and the other video.

Battery and Battery Grip: The D5100 and D3100 both use the EN-EL14 battery, and the D7000 uses the new, higher capacity EN-EL15 battery. The D7000 accepts the optional MB-D11 battery pack/ vertical grip which is constructed of magnesium alloy. The D90 uses the EN-EL3e battery and its optional battery pack/ vertical grip is the MB-D80. The D5100 and D3100 don't accept a battery grip. The battery grip is handy for providing the ability to use a second battery and thus prolonging shooting time, and also creates a larger camera body which some users find more comfortable, especially when shooting in portrait orientation.

Full HD video: The D5100 shoots 1080p and 720p video at 24, 25, and 30 fps. The D3100 shoots 1080p at 24 fps and 720p at 24, 25, and 30 fps. The D7000 also shoots 1080p at 24 fps only and 720p at 24, 25, and 30 fps, up to 20 minutes with full-time continuous autofocus. The D90 offers 720p video at 24 fps, with a 5 minute shooting time.

Ease of Operation: While beginners may find all the buttons, controls, and menus of any dSLR difficult and confusing at first, the menus and controls of the D5100 and D3100 are pretty basic and simple to learn for a dedicated user. The additional controls and menus of the D7000 and D90 are all quite intelligently designed and will become intuitive and straightforward for the more advanced user once they are learned and understood. Again, have a look at helpful guides such as my Nikon D7000 Experience - The Photographer's Guide to Operation and Image Creation with the Nikon D7000 and Nikon D5100 Experience - The Still Photographer's Guide to Operation and Image Creation with the Nikon D5100 to begin to learn to master all the advanced features, settings, and controls of these powerful dSLR cameras.

Hands on Experience: The camera body of the D5100 fits nicely in the hand, and is a little bit taller than the D3100, so the pinky doesn't fall off the grip quite as easily. The rubber gripping surface and rubber thumb spot work nicely, and help retain the grip on the body, even when holding it at your side or carrying it around without a strap, and the light weight of the camera also adds to this ease of portability. Those who prefer the ergonomics of a larger, more solid feeling camera body will have to look at the D90 or D7000. The Live View switch, placed on the top of the camera at the mode dial, feels and sounds a little plasticy, but works find, and the record button for movies is conveniently placed on the top of the camera, near the shutter button. The FN button, on the front near the lens mount, can be customized to adjust one of a number of settings quickly, like image quality, white balance, HDR, or +RAW (to take a RAW file in addition to a JPEG if set on just JPEG). I prefer to make it an ISO button. The side mounted rear LCD screen is a definite improvement over the bottom mounted, limited screen of the D5000, and rugged and durable. The view through the viewfinder is a bit tiny and cramped, as is typically the case in this level of dSLR. Changing settings is quick and easy with the "i" button and rear LCD screen. Overall, the body, feel, controls, and LCD screen of the D5100 make for a great image taking experience.


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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

16.2MP DX-Format CMOS sensor that works together with Nikon's EXPEED 2 image processor, 1080p HD video with full time autofocus, 6FPS burst shooting, a 39-Point AF System, autofocus fine tuning, a 3" LCD display and pentaprism optical viewfinder, and dual SD/SDHC/SDXC memory card slots.


Factory Supplied Accessories
EN-EL15 Lithium-Ion Battery
MH-25 QuickCharger
Camera Strap
USB Cable
Audio Video Cable
DK-5 Eyepiece Shield (Replacement)
DK-21 Rubber Eyecup
BM-11 LCD Monitor Cover
BF-1B Body Cap
BS-1 Hot-Shoe Cover
ViewNX 2 CD-ROM
User's Manual
1-Year Limited Warranty


Sunset Electronics Package Includes
Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (BLACK)
Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens
Nikon 55-200mm Zoom NIKKOR Lens
16GB Hi Speed Error Free SD Memory Card
Hi Speed SD Card Reader
Dedicated Flash for Nikon
2 UV Filters 58mm for Camera
Soft Deluxe Carrying Case
50 inch Size Tripod
LCD Screen Protectors
Starter Kit
Exclusive Sunset Electronics Cleaning Cloth
.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package / nikon d200


************************************

  • - 16.2MP DX-Format CMOS Sensor, - EXPEED 2 Image Processor, - 1080p HD Video Capture
  • - 3" LCD Display, - RAW + JPEG Still Image Capture, - Twin SD/SDHC/SDXC Card Slots
  • - RGB 3D Matrix Metering System, - i-TTL Flash + Speedlight Compatibility
  • - 39 Point AF System, - Works with 60+ NIKKOR Lenses
  • ALL IS 100% BRAND NEW AND FACTORY SEALED!
.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package / nikon d200


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IMAGE OF Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package


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If this Information is Not Updated, Please Check!!! Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD with Nikon 18-105mm f/3.5-5.6G ED VR AF-S DX Nikkor Autofocus Lens and Nikon 55-200mm Zoom NIKKOR Lens (BLACK) + SSE Best Value 16GB Accessory Package
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens
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Model Of Item : D7000 18-105mm Kit
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens
Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16-megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera’s 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx.  0.052-second release time lag and approx. 6 frames-per-second shooting, you won’t miss a moment..../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens / nikon d200
Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens


Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens
  • High Resolution 16.2 MP DX-format CMOS sensor
  • High Speed 6 frames per second continuous shooting up to 100 shots
  • Breathtaking Full 1080p HD Movies with Full Time Autofocus
  • Dynamic ISO range from 100 to 6400
  • Ground-breaking 2,016-pixel RGB (3D Color Matrix) exposure sensor
.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens / nikon d200
Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens


Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens
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Customer Review :

Great Camera -- A perspective from a D300/700 Owner : Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens


Just take it for granted that this takes extraordinary pictures under all conditions, along with low light, and that it contains all the hand-operated controls that you'd ever want.

Instead, here's some things that the camera does that you might not have heard about:

* Built-in EyeFi support

If you've used EyeFi Sd cards before, you probably assumed that it would work with the D7000, since the D7000 now uses Sd cards instead of Cf. But not only do you not have to mess colse to with Sd-to-Cf adapters, the camera is easily EyeFi aware-- you can choose to have it upload or not upload on a slot-by-slot basis (so you might have it automatically upload the Raw files you saved to an EyeFi Pro card in slot 1, but not bother to upload the Jpegs you saved to the EyeFi Explorer card in slot 2), and there is also an icon that appears on the Info display to indicate that there are files waiting to upload, that the upload is in advance or disabled, etc.

The Nikon Wifi adapter is going for $400. A 4Gb, class 6 EyeFi card goes for $40. If you easily want to move Raw files, snag the Pro version for $80. Yes, the Nikon adapter does things that EyeFi can't, but if you just want to get your files onto a Pc without pulling the card, why spend 10X the money?

You're stuck with the usual limitations of the EyeFi card, but I fully expect to use this feature a Lot with studio portraits-- yeah, it only takes 10 seconds to pull the card and have Windows recognize that you added it, then another 5 seconds to eject the card and stick it back in the camera. But if you just want a quick check that your exposure or focus is where you want it, wouldn't you rather just hit a single key and see your last shot, then get right back into the flow? You may want to drop your Jpeg file sizes to speed up the transfer.

* In-camera Raw file processing

The camera contains a ton of built-in settings-- in expanding to the basics like Standard, Normal, Landscape, etc, you also get all the assorted Scene modes, which are basically variations on those main settings.

Raw processing allows you to see how the shot would have looked had you used one of those other modes. In other words, you shoot in Normal, which basically applies no processing to the image, then select the Raw file, and choose how you'd like to adjust it. You can change the white balance settings, exposure, basic photograph setting (landscape, portrait, etc), noise reduction, color space, and dynamic lighting. With the exception of the developed details on the basic photograph settings, you see a preview of how your change will work on the picture.

If you like it, just hit Execute and it writes out a Jpeg to your card. Don't like it, just back out and nothing's saved.

This means that you don't have to worry that shooting in Vivid is going to corollary in an oversaturated image, or you can punch something up even more after the fact. The only real drawback here to me is that it is going to kick out a Jpeg, so if you're planning on doing added editing in Photoshop, this may not be the best route. But if you're just looking to go right from the camera to the web, or want to get an idea of how playing with practice settings will work on your shots, this is a weighty shortcut to taking and then deleting a ton of shots. (And keep in mind that Photoshop will allow you to mess with most of these settings when importing Raw files anyway, and the plugin D7000-compatible Raw plugin had a release candidate posted yesterday, so you can finally open your Raw shots.)

And a connected feature that's in most other Nikons, but that you might not know about-- you can define your own basic photograph settings. Want something that's super-saturated and super-contrasty? Just hit a few buttons, choose a name, and you're done. On the older Nikons, you had to edit the basic profile itself, now, you can use one as a starting point and adjust from there. Much cleaner.

* User-defined settings on the control knob

Not as secret as the first two, but I can't emphasize how cool this feature is. Here's the situation I was in last night-- I was shooting a singing contest in a dimly-lit venue. I was allowed to use a flash, but I didn't want to constantly be blasting the singers while they were performing.

I defined one setting as shutter priority, 1/60th, Iso Hi 2, center-weighted metering & focus, no flash. The second setting was automatic, Iso auto, full metering and autofocus, flash enabled. I'd take a concentrate shots in U2 with the flash, close the flash down and switch to U1 and shoot a half a dozen shots, then switch back to U2 and use the flash for a concentrate more shots. There was no fumbling for controls, no worrying that I changed the shutter speed without realizing it when changing in the middle of Auto and S-- every time I went from U2 to U1, all my settings were reset to where I put them before the event started.

I don't think I ever felt as inevitable about my camera settings in a rapidly changing situation as I did last night-- with just a simple twist of a knob, I was able to change to a thoroughly distinct shooting configuration with absolute trust that it was what I wanted.

To me, the utility of this is almost endless-- I'll probably set up one setting for studio portraits, and the other for scenery stuff. If I was still shooting news, I'd probably be swapping in the middle of flash and no-flash configurations. For sports, I'd change in the middle of performance modes and post-game portraits.

The only thing that would make this even best would be if I could import and export settings for later use-- even if you use the "Save/Load" settings choice to back up your current configuration to a memory card, it doesn't appear that this data is stored. However, it may be a bug in the Load settings feature, as a estimate of my settings were incorrectly reset when I tried to load in settings. Whether way, it would work best if I could treat these like practice basic photograph settings, salvage them by name and loading them at will.

* Built-in interval timer shooting

Want to take time-lapse pictures? Just set up your camera on the tripod, specify when you want it to start, how many pictures to take overall, and how many pictures to take each interval and walk away. When it's time to start taking pictures, the camera will automatically focus and shoot, then go back to waiting for the next shot. No messing colse to with tethering, 3rd party software, whatever-- it's all in the camera, and it's all super-easy to set up. You'll find yourself taking pictures of your living room just to see what your cat easily does all day while you're at work.

* Zoom in live view

This might just be "new to me," but I found it to be very cool for manually adjusting focus when on a tripod-- frame your basic shot, then change to live view. From there, zoom in with the magnifying glass key, and move colse to the image with the pilotage pad until you find the point you want to focus on, then manually focus. Since you can zoom into a tiny quantum of the overall image, you can see that you're getting exactly the focus point you want before you take the shot. One gotcha that I always forget, though-- don't forget to pick your aperture Before going into live view, as you can't change it once live view has started.

* Adjustable shooting rate

Again, might be "new to me," but in expanding to blasting away at 6fps, you can manually adjust that from 1 to 5 Fps in order to get a distinct effect. You obviously need to be using a fast enough shutter speed to sustain your choice-- if you're at 1/2 a second, you're not going to shoot faster than 2Fps.

As I mentioned in one of my other reviews, I used to be a semi-pro photographer-- I was the photo editor for both a weekly and a daily paper, I've shot tons of sports and news photos, and scenery photography is my hobby. I've recently gotten back into portrait photography as well. While I never owned as many cameras as a true pro would have (that semi- means that I never made enough money at it to be able to easily spring for equipment), I have shot with a lot of other people's equipment, and I can easily say that this is the best camera I've ever used.


Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Model Of Item : D5100 18-55mm Kit
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
The D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show..../ Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens / nikon d200
Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens


Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
  • 3-inch, 921,000-dot Super-Density horizontal type Vari-Angle LCD Monitor
  • In-camera Special Effects Mode
  • In-camera HDR (High Dynamic Range)
  • Stunning Full 1080p HD Movies with Full Time Autofocus
  • High Resolution 16.2 MP DX-format CMOS sensor
.../ Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens / nikon d200
Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens


Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Customer Review :

excellent "prothusiast" D-Slr, solid upgrade from my D5000 : Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens


I have been a retired Slr photographer for several years so the D5100 is my re-entry into Dslr. Previously, I had an N90s and one of the first digital Nikons; the D20. I have been shooting a Canon G10 for several years even doing some Hdr with it. I've had the D5100 about a week and have shot a 100 photos on a range of subjects - family, landscape, sunset, and macro - all with the 18-55 kit lens.

It shoots great! detail is way best than I incredible for a "consumer" model. Actually, I chose the D5100 because the potential of the pics was my leading goal. It comes with the same 16mp chip as the D7000 for $400 less. I wanted to spend that money on glass. I've had practically no issue figuring out how to set the by hand controls and have had good luck with the Scenes modes for most shooting. (I haven't tried the Effects and I'm not sure that I will - more of a Photoshop processing kind of guy). My biggest challenge has been getting correct focus as the camera tries to do way more than I'm used to and, if I have it in the wrong Scene mode, there's no telling what might happen. The dancing yellow squares on the face recognition function is a dinky disconcerting. I have also had to learn patience as the Vr function is nice but a dinky slow when handheld. I have learned to leave it off until I verily need it.

I think that most of the pro reviewers overstate the weaknesses of many of the products out there and the D5100 is no exception, maybe because it's hard to incompatibility a crowded competitive goods line. At any rate, here is my take on some of the deficiencies. First, the location of the LiveView button work great for me. Because it is a lever rather than a button it is easy to locate and use without piquant my hand on the grip. other complaint has been the lack of an Iso button. I do prefer buttons over menus but there are too many functions which I would like to have on a button that there wouldn't be room for all of them. I programmed the fn button (which is done verily in the menus) to allow me to operate the Iso. It works well both when I'm working straight through the viewer or the display screen. I will agree with complaints that the fn button is too close to the flash button. I've inadvertently mixed them up and it cost me a pic or two. However, I only need to make that kind of mistake a incorporate of times before learn to avoid the problem.

The rear screen is great...very high resolution. The zooming function works well and I have been able to check image focus easily. The side tilt is very elegant and I like that if flips to safe the screen when not in use.

I'm not much of a videographer but I did shoot some video and the image potential if fantastic. I put it on my Tv and the potential was great. The focus works pretty well although you can see it occasionally get behind for a few seconds for quick piquant subjects - like cars and kids. The microphone isn't worth much so it may be worth investing in the add-on microphone for more serious video projects.

All in all, the potential and fit of the camera is very good in spite of being made from plastic. i wouldn't want to drop it or the lens for that matter - they are not made like my old N90s or my 70-200 f2.8 but, on the other hand, I won't won't miss the extra 5 lbs. Of weight because this camera is Light! It is small but fits the hand well and is joy to carry around.

To summarize: As you would expect from a Nikon, great photos; as good as the D7000 (according to dpreview) and $400 less. Easy to use, light, good by hand control, and good assisted operate straight through scenes. The D5100 is a good option if you are seeing for high potential images without all the bells and whistles of the D7000.

No "cons" except don't drop it...probably won't survive! Battery life isn't great whether (I tend to use the display and LiveView a lot) so I've already invested in a backup battery.

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16 megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera's 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx. 0.052-second release time lag and approx. 6 frames-per-second shooting, you won't miss a moment.

You'll see exactly what you're capturing with the approx. 100% frame coverage viewfinder, and for those who want to shoot both stills and movies, the D7000's D-Movie capabilities now include Full HD 1080p capture with full-time autofocus and manual exposure. All of this advanced imaging technology is kept safe beneath the magnesium alloy covering the top and rear chassis of a compact body, whose sealing has been severely tested against moisture and dust. The D7000 is ready to shoot indoors and out, and at 150,000 cycles tested, the camera's durable shutter unit helps you keep shooting. Combine all this with the unmatched NIKKOR lens lineup and Creative Lighting System and you have everything you need to explore your imagination to its fullest. Where can creative freedom like this take you? Find out, with the D7000..../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only) / nikon d200
Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)
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Customer Review :

Great Camera -- A perspective from a D300/700 Owner : Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)


Hundreds of general reviews of the D7000 have already been written, so instead of trying to reinvent that wheel I will address specific issues that habitancy who are thinking of upgrading may find helpful. If you currently own a D80 the upgrade is a no-brainer. Just do it, you won't regret it. If you're using a D90, as I was before, you may be inspecting the upgrade to a D7000 a bit more skeptically.

I am a serious amateur/hobbyist with more than 50 years of palpate in photography, and have progressed from a D50 to a D80 to a D90 (each owned for two years), to the D7000 purchased two months ago.

Initially I wondered if the upgrade from a D90 would unmistakably be worth it. Well, it right on is. The D7000 isn't an upgrade to the D90 in the former sense that we tend to think of upgrades, it's a whole New Camera. The improvements I'm most impressed with that matter most to me personally for my kind of photography?

1. New sensor with greater dynamic range and excellent high-Iso performance. The first Dx body to come close to approximating Fx cameras in these areas.

2. New 39-point Af module that puts the D80 and D90's 11-point Af to shame in Af-C and makes easy work of any kind of action photography. Not only faster and more strict autofocusing, but also a significantly improved method for swiftly choosing distinct Af modes.

3. Improved layout of buttons and controls on the body, but with a nearly selfsame menu structure to the D90 that makes it easy to learn and implement everything, along with the D7000's new features. The learning curve should be minimal coming from a D80 or D90. And there are enough similarities to the D300 to make it an easy transition.

4. Metering, especially matrix metering, is more strict in a wider variety of lighting conditions -- right on improved over the D90 and a major improvement over the D80. A camera's meter readings are all the time suggestions, not commandments, and Ev compensation is often necessary. But the D7000's matrix metering gets the exposure very close to right the vast majority of the time.

5. The D7000's light touch (hair trigger) shutter publish takes a little getting used to, but it right on minimizes the opportunity of camera motion blur when taking a picture. I understand that D300 and D700 users won't observation much divergence in the touch, but it's a major improvement if you're coming from any of Nikon's consumer Dslrs.

6. The 6 fps continuous mode is plentifulness fast enough to capture very fast action like birds in flight. And the new dial configuration makes it easier than ever to turn shooting modes quickly.

7. Programmable U1 and U2 modes eliminate time-consuming menu diving and button pushing when you want to switch instantaneously in the middle of settings for distinct situations (landscape or scenic shots vs. action photography, for example).

8. The introduction of any "pro body features" in a consumer camera like Af fine tuning, which is not something you need all the time or want to use indiscriminately, but it's remarkable to have when you need it.

9. Better building gives the D7000 a "pro feel" not present in other consumer grade Nikon bodies. A subjective opinion, I know, but just picking up a D7000 tells you that you're handling a very solid, serious piece of equipment.

10. Yes, we all bemoaned the introduction of a new D7000 battery. But this new En-El15 is a powerhouse that will give the Energizer Bunny a run for his money. A very inescapable new enhancement.

11. Last but not least (lest we forget the real purpose of a camera), I am taking Better pictures (technically, at least) with my D7000 than I did with my D90 -- and doing so much more unmistakably and efficiently. Compared to the 2-3 months it took me to adapt to the D80 and D90 when I upgraded to those bodies before I began getting unmistakably satisfactory results, there hasn't been any such continued learning curve with my D7000.

I have not commented on the D7000's video capabilities because I don't shoot video with it. I have noted that autofocusing with any lens in Live View is rather slow, even in good light, and many lenses may have mystery achieving an strict focus lock in low light. And a few lenses may fail to autofocus in Live View at all. This is not unmistakably prominent to me because I very rarely use this feature, but it is something to be aware of.

A word about lenses: Achieving the best results with the higher resolution of the 16Mp D7000 does need good lenses. The 18-105 Vr kit lens is enough and will yield perfectly satisfactory results. However, obtaining the excellent image capability that the camera is capable of calls for Better capability glass. For an exquisite general purpose "walkaround" lens that is also a Best Buy at $449, I personally advise the
Sigma 17-70mm f/2.8-4 Dc Macro Os Hsm Lens for Nikon Mount Digital Slr Cameras. I prefer this Sigma to the somewhat overpriced Nikon 16-85 Vr. To cover the telephoto range, I would advise adding the exquisite Nikon 70-300mm f/4.5-5.6G Ed If Af-S Vr Nikkor Zoom Lens for Nikon Digital Slr Cameras to your arsenal.

I hope Amazon shoppers for the D7000 body only who thinking of upgrading from a former Dslr find my observations helpful.

Update On 03/16/11 --

Here is a link to my Flickr photostream if you would like view some of the photos I have taken with the D7000. They contain the Exif info and were taken with the Sigma 17-70mm f/2.8-4 Dc Macro Os Hsm and Nikon 70-300 Vr.

[...]

One highlight I didn't mention in my former recite is in-camera editing. This is not something new, but it's much more robust in the D7000 and I use it quite a bit. For example, Jpeg shooters will appreciate the in-camera Wb adjustment that lets you strict color equilibrium that's way off right in the camera and then make subtle adjustments in post processing. Likewise, in-camera B&W and sepia conversions furnish images with a full tonal gradient for later creative manipulation on the computer. Both of these are handy time-savers, and your former image all the time remains intact. The in-camera cropping options have also been expanded to contain virtually all of the favorite formats and supply exquisite flexibility for basic cropping.

The more I use my D7000, the more I appreciate what a valuable upgrade it is to the D90.

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